AiPronTech is arranged around a plain brass gear assembly on a bench in a deep purple studio: smooth unmarked gears that turn only this studio’s own work, and nothing reported, reviewed or published about anyone else’s. Register one fictional adult character, write her gearworks card once, and keep the card at the bench; every tool in the studio — stills, video, edits, swaps, finishing — meshes with the card at the bench and with nothing else. Costs are quoted before a job runs, results rest private in your account until you release them, and a failed job refunds itself. No anonymous use, no mystery pricing: a gear train, a card, and a clear price sheet.
Free to register. Check in daily to collect 6 credits — exactly the cost of one standard image, one picture a day from the gearworks bench.
Most studios make you re-describe your character at every tool and then wonder why she changes. AiPronTech keeps one gearworks card at the gearworks bench and passes it down the line, read the same way every time. The Gearworks card beside each tool states its input, output and price before you commit a single credit, and credits themselves are studio credit only, with no cash value and no way to exchange or redeem them. The gearworks bench is studio furniture and method, nothing more.
Text-to-image for fictional adult characters. Write her gearworks card once and hold every later job to it.
In MotionText-to-video and image-to-video. Give a proven still one clear movement, quoted by duration and resolution first.
Guarded · TransformConsented transformations of your own photographs and your own generated characters. No one else’s material, ever.
RepairsOne precise change at a time — wardrobe, setting, light — for frames that miss by a single detail.
Hold the FaceCarry her face onto new stills, so a whole set still reads as one and the same woman.
FinishingFinished clips brought up to the size their destination requires. Finishing is the last stop, never the first.
Age, hair, build, face and one signature detail, in fixed lines you paste rather than retype. A card rewritten from memory drifts; a card pasted word for word holds.
Stills first, then motion, repairs and finishing — each job shows its exact credit cost before you confirm it, and each result is judged against the card before it is kept.
Everything rests private in your account. Upscale and publish only what earned it; the gallery shows only what makers deliberately put there.
The gallery shows only the frames and clips their makers chose to put on display. The house default is private; appearing here is always a deliberate decision by the person who made the piece, never an accident of the system.
Registration is free, and the daily check-in covers one standard picture a day. When the workload outgrows that pace, one-time credit packs wait at the pricing page — no subscription, no silent renewals.
Start at the gearworks benchProduction notes on character consistency, prompt systems and delivery specs.
The moment a series usually loses its character is not a generation — it is a crossing, where one gear hands her…
A gear that jumps two teeth is not faster; it is broken. The editor at this bench works to the same arithmetic:…
A gear train is assembled once, tooth to tooth, and then it turns as one machine; pull a gear out mid-run to…